



b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Cautionary flats next to e category imprint: Differences between sources; Corrections & alterations issues: Cautionary accidentals , Authentic corrections of FE |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The notation of accidentals in the R.H. arpeggio is not fully compliant with rules of the orthography. Chopin needlessly repeated category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Cautionary accidentals , Inaccuracies in A |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The slur in the L.H. combining e with f in the next bar was added by Chopin most probably in the proofreading of FE1. The need of adding this slur resulted from a change in the graphical layout – in A the slur over the part of the R.H., written on the bottom stave, concerns the entire chords, hence also the top voice of the L.H. category imprint: Interpretations within context; Differences between sources issues: Authentic corrections of FE |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In GE2 (→GE3→GE4) the category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
..
In the ninth chord in the L.H. at the beginning of the bar, Chopin deleted F in the pupil's copy FES. The simplification can be considered a variant for a small hand. GE2 (→GE3→GE4) arbitrarily assigned a staccato dot to this note. category imprint: Differences between sources; Corrections & alterations |