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b. 69
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI Chopin deleted the g category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations |
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b. 69-70
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composition: Op. 10 No 4, Etude in C♯ minor
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The fact of beginning the slur from the 2nd group of semiquavers is almost certainly an inaccuracy of notation, which probably follows from [A]. Different versions of the slur's ending in EE and GE2 (→GE3) are certainly a result of the engravers' errors. The omission of the slur in GE4 (→GE5) may be considered as an oversight or revision. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , Errors in GE , GE revisions , EE inaccuracies |
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b. 71-73
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composition: Op. 10 No 4, Etude in C♯ minor
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In the main text we give the fingering written in bar 72 in FED. In EE Fontana added significantly more indications, also in the L.H., however, he never indicated the fingering for the 2nd and 3rd notes of four-note figures in the R.H. Therefore, it seems that despite there being no formal discrepancies between Chopin's class entry and Fontana's fingering, in fact he had a different fingering in mind in this place (121). category imprint: Differences between sources issues: EE revisions |
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b. 71
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composition: Op. 10 No 4, Etude in C♯ minor
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The C category imprint: Source & stylistic information issues: Abbreviated octaves' notation |
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b. 72-74
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composition: Op. 10 No 4, Etude in C♯ minor
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We add cautionary sharps before d category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |