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b. 17
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composition: Op. 24 No. 1, Mazurka in G minor
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We give the fingering, added by Chopin last time, on the first occurrence of an analogous grouping. category imprint: Editorial revisions |
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b. 17-29
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composition: Op. 24 No. 1, Mazurka in G minor
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The wedges in A are very clear, particularly in bars 17 and 25, yet in GE (→FE→EE) there are only dots (cf. bar 1.). In bar 17 in GE1 the sign was omitted, which Chopin corrected when proofing FE (→EE). In the editors' opinion, that correction should be understood as supplementing the staccato sign in bar 17, in line with bars 21, 25 and 29, rather than replacing a wedge with a dot in bar 17. category imprint: Differences between sources; Corrections & alterations |
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b. 17
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composition: Op. 24 No. 1, Mazurka in G minor
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In GE1 (→FE) Chopin's indication dolce was replaced with the abbreviation dol. We expand that currently obsolete abbreviation to its original full form, which has already been done in EE and GE2 (→GE3). category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 17
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composition: Op. 24 No. 1, Mazurka in G minor
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In A (→GE1) there is no cautionary category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 17-18
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composition: Op. 24 No. 1, Mazurka in G minor
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The clear notation of A was distorted by the omission of the accent in bar 18 in GE1 (→FE→EE1) and changes of accent shapes in FE (→EE) and GE2 (→GE3). category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE , GE revisions |
before f1. The sign was supplemented in 
