Issues : GE revisions
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b. 17
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composition: Op. 24 No. 1, Mazurka in G minor
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In A (→GE1) there is no cautionary category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 17-18
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composition: Op. 24 No. 1, Mazurka in G minor
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The clear notation of A was distorted by the omission of the accent in bar 18 in GE1 (→FE→EE1) and changes of accent shapes in FE (→EE) and GE2 (→GE3). category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE , GE revisions |
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b. 17-29
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composition: Op. 24 No. 1, Mazurka in G minor
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In A, Chopin marked staccato for the F notes in bars 17, 21, 25 and 29. In GE1 (→FE→EE), the dots were omitted in bars 17 and 25, and in EE also in bar 29. The reviewer of GE2 (→GE3) supplemented the missing dots, possibly on the basis of A. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions , EE inaccuracies |
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b. 17-18
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composition: Op. 24 No. 1, Mazurka in G minor
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The point where the slur begins in that bar in A is fairly obvious. The change introduced in GE2 (→GE3) results more from comparing versions of analogous bars 21-22, 25-26 and 29-30 than from any extra careful reading of A. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |
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b. 19-27
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composition: Op. 24 No. 1, Mazurka in G minor
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Both bass notes F in bars 19 and 27 have staccato dots in A. The notation of this detail was distorted in the first editions: a dot from bar 19 was omitted in GE1 (→FE→EE), and dots from bar 27 disappeared in FE (→EE). Cf. bars 17-29. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
before f1. The sign was supplemented in 
