Issues : GE revisions

b. 34-35

composition: Op. 24 No. 1, Mazurka in G minor

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In both bars in GE2 (→GE3) the  lowering a1 to a flat1  was moved from the 1st note of that pitch to the next one. This revision doubtless stems from the mistaken idea that the curved lines under the thirds in bars 33-34 and 34-35 are ties sustaining a flat1 notes.

category imprint: Differences between sources

issues: GE revisions

b. 36-44

composition: Op. 24 No. 1, Mazurka in G minor

 in bars 36 and 44 in A

 in GE1 (→FEEE)

 in GE2 (→GE3)

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In bars 36 and 44 in A, the asterisk  is written  between the 2nd and the 3rd crotchet. In GE1 (→FEEE) it was moved and placed under the nearest chord: on the 3rd beat in bar 36 and on the 2nd beat in bar 44. In GE2 (→GE3) the pedalling was made uniform, and the  moved under the 3rd crotchet.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 37-45

composition: Op. 24 No. 1, Mazurka in G minor

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We add a cautionary  before b flat in the last chords of bars 37 and 45. This sign was already added in GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 40

composition: Op. 24 No. 1, Mazurka in G minor

No accent in A (→GE1FEEE)

A long accent in GE2 (→GE3)

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In GE2 (→GE3) a long accent was arbitrarily added at the beginning of the bar.

category imprint: Differences between sources

issues: GE revisions

b. 48

composition: Op. 24 No. 1, Mazurka in G minor

in A (→GE1FEEE)

in GE2 (→GE3)

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GE2 (→GE3) were found to have a longer abbreviation for the word  diminuendo than A.

category imprint: Differences between sources

issues: GE revisions