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Issues : Deletions in A
b. 39
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composition: Op. 38, Ballade in F major
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It seems that Chopin changed the concept of dynamic markings in this and the next phrase – in A one can see in this bar a pair of category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Long accents , Errors in EE , Corrections in A , Deletions in A |
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b. 106
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composition: Op. 38, Ballade in F major
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In the main text we give the version of FE2 (→FE3), corrected by Chopin. However, it is not clear whether the composer's resignation from the version of A was final at the time of performing this correction, as the proofreading concerned a slightly different, undoubtedly erroneous version of FE1. The interpretation of A is also uncertain – the tie sustaining g category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Deletions in A , Authentic corrections of FE |
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b. 179
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composition: Op. 38, Ballade in F major
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In A the 2nd part of the bar in the R.H. was deleted and rewritten next to the stave. The ties sustaining d category imprint: Differences between sources; Source & stylistic information issues: Deletions in A , Inaccuracies in GC |
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b. 179-180
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composition: Op. 38, Ballade in F major
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The R.H. part underwent substantial changes in A, mainly rhythmical. Interestingly, it is possible to decipher the deleted versions with high probability. Chopin started with the following: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |
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b. 185-186
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composition: Op. 38, Ballade in F major
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The deletions visible in A at the beginning of the 2nd half of bar 185 demonstrate that Chopin changed the 7th R.H. semiquaver. The removed semiquaver was probably a g1-c2 fourth. Similarly, we can guess that the deleted 7th semiquaver in bar 186 sounded a1-d2. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |