The R.H. part underwent substantial changes in A, mainly rhythmical. Interestingly, it is possible to decipher the deleted versions with high probability. Chopin started with the following:
. Subsequently, this was slightly modified by removing the penultimate semiquaver in bar 179:
. Analogous transformations were applied in bars 183-184.
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category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Deletions in A, Main-line changes
notation: Pitch