Issues : Wedges
b. 69
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composition: Op. 38, Ballade in F major
category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Wedges , Errors of GC |
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b. 136
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composition: Op. 38, Ballade in F major
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It is not entirely clear what staccato marks were intened by Chopin in this bar. They resemble dots In A despite being bigger than usual – possibly Chopin emboldened them to make them better visible, or changed wedges for dots. FE read them as wedges (except for the omitted L.H. mark), GC and EE – as dots (in the copy the L.H. mark was omitted, and reinstated in GE. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , GE revisions , Wedges , Inaccuracies in GC |
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b. 140
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composition: Op. 38, Ballade in F major
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Two staccato marks written in A seem to be dots despite being bigger than usual – possibly Chopin emboldened them to make them better visible. FE read them as wedges. category imprint: Graphic ambiguousness; Differences between sources issues: Wedges , Inaccuracies in A |
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b. 197
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composition: Op. 38, Ballade in F major
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It is not completely clear whether the staccato mark in A is a dot or a wedge. In the main text we give a dot for despite its irregular shape the mark is similar in size to a dot. That is how it was also understood by the copyist. In EE, FE and GE, probably due to a mistake, the mark was omitted. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , Wedges |