b. 126
|
composition: Op. 38, Ballade in F major
..
In A (→GC), the lack of the dot extending the first crotchet of the R.H. lower voice is almost certainly an oversight by Chopin. The dot was added in all editions. category imprint: Differences between sources issues: Inaccuracies in A |
|||
b. 127
|
composition: Op. 38, Ballade in F major
..
As in analogous bar 102, the rhythm in the upper voice of the R.H. has two versions in the sources. In the main text we present the version of GC (→GE). This time the correction is inaccurate – Chopin added a quaver flag to the g1 note but forgot the rest, as a result of which the bar in the upper voice has only 5 quavers. The obvious mistake was corrected in GE. category imprint: Interpretations within context; Differences between sources issues: Errors resulting from corrections , GE revisions , Authentic corrections in GC |
|||
b. 127-128
|
composition: Op. 38, Ballade in F major
..
The tie sustaining d1 over the bar-line was omitted in GC (GE1→GE2) – the copyist might have taken it for deleted. It was only added in GE3. category imprint: Differences between sources issues: GE revisions , Errors of GC |
|||
b. 129
|
composition: Op. 38, Ballade in F major
..
In the main text, we include a cautionery before d1 in the L.H., written by Chopin into GC (→GE). category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections in GC |
|||
b. 129
|
composition: Op. 38, Ballade in F major
..
The topmost component of the chord in the R.H. was written in GC as a1. This mistake was repeated in GE1; it was corrected only in GE2 (→GE3). category imprint: Interpretations within context issues: Errors of GC |