Issues : Errors in EE
b. 116-117
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composition: Op. 38, Ballade in F major
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The additional tie to d1 results either from a mistake, or from an unconsidered revision by the copyist in GC (→GE) – that note belongs to the first theme of the Ballade, and of course must be played. The lack of ties in FE1 (→FE2) and EE is probably due to the misunderstanding of A. In FE3 the ties were most probably added by a reviser on the basis of A, although we cannot exclude Chopin's participation in this kind of correction. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Authentic corrections of FE , Errors of GC |
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b. 117
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composition: Op. 38, Ballade in F major
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EE overlooks the tie sustaining b in the R.H. category imprint: Interpretations within context issues: Errors in EE |
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b. 118-119
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composition: Op. 38, Ballade in F major
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The lack of tie to a1 is almost certainly an oversight in EE. It is unclear why the tie was moved upwards in GE2 (→GE3), obfuscating its meaning (whether it is a tie or a slur). category imprint: Differences between sources issues: Errors in EE , GE revisions |
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b. 119
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composition: Op. 38, Ballade in F major
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EE overlooked a raising b to b. category imprint: Interpretations within context; Differences between sources issues: Errors in EE |
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b. 122-123
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composition: Op. 38, Ballade in F major
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In EE, GE and FE1 (→FE2) there is no tie sustaining the g note to the next bar. FE3 corrected this inaccuracy. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , FE revisions |