Articulation, Accents, Hairpins
b. 39
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composition: Op. 38, Ballade in F major
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It seems that Chopin changed the concept of dynamic markings in this and the next phrase – in A one can see in this bar a pair of signs, out of which the first was then deleted. While writing analogous bar 40, the composer put there only the sign of a long accent over the chord in the middle of the bar. According to us, it means that the slightly longer sign in bar 38 should be interpreted in this way. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Long accents , Errors in EE , Corrections in A , Deletions in A |
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b. 40-41
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composition: Op. 38, Ballade in F major
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Both the omission of the sign in FE and its slight extension in GC (→GE) are undoubtedly of an accidental nature. However, the shorter hairpins in EE may be a result of the interpretation of the notation of A – Chopin would extend the initially written long accent and the result of these corrections is not entirely clear, as a part of the sign in bar 41 has the form of a single horizontal line. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Corrections in A , Errors resulting from corrections , EE inaccuracies , Inaccuracies in GC |
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b. 41
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composition: Op. 38, Ballade in F major
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category imprint: Interpretations within context issues: Inaccuracies in FE , EE inaccuracies |
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b. 42-43
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composition: Op. 38, Ballade in F major
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The long accents in these bars were inaccurately reproduced in the editions – in FE both signs are moved to the right, while in EE the sign in bar 42 has the form of a short accent. Moreover, in GE and EE the sign was overlooked in bar 43. category imprint: Differences between sources issues: Long accents |
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b. 47-49
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composition: Op. 38, Ballade in F major
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In EE there are no and hairpins. It is certainly the engraver's oversight. category imprint: Interpretations within context; Differences between sources issues: Errors in EE |