



Articulation, Accents, Hairpins
b. 39
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composition: Op. 38, Ballade in F major
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It seems that Chopin changed the concept of dynamic markings in this and the next phrase – in A one can see in this bar a pair of category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Long accents , Errors in EE , Corrections in A , Deletions in A |
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b. 40-41
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composition: Op. 38, Ballade in F major
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Both the omission of the category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Corrections in A , Errors resulting from corrections , EE inaccuracies , Inaccuracies in GC |
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b. 41
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composition: Op. 38, Ballade in F major
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category imprint: Interpretations within context issues: Inaccuracies in FE , EE inaccuracies |
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b. 42-43
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composition: Op. 38, Ballade in F major
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The long accents in these bars were inaccurately reproduced in the editions – in FE both signs are moved to the right, while in EE the sign in bar 42 has the form of a short accent. Moreover, in GE and EE the sign was overlooked in bar 43. category imprint: Differences between sources issues: Long accents |
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b. 47-49
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composition: Op. 38, Ballade in F major
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In EE there are no category imprint: Interpretations within context; Differences between sources issues: Errors in EE |