



Articulation, Accents, Hairpins
b. 132-133
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composition: Op. 38, Ballade in F major
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All versions of dynamic indications differing from the one written in A result from an inaccurate reproduction of the notation of the autograph:
category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
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b. 136
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composition: Op. 38, Ballade in F major
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It is not entirely clear what staccato marks were intened by Chopin in this bar. They resemble dots In A despite being bigger than usual – possibly Chopin emboldened them to make them better visible, or changed wedges for dots. FE read them as wedges (except for the omitted L.H. mark), GC and EE – as dots (in the copy the L.H. mark was omitted, and reinstated in GE. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , GE revisions , Wedges , Inaccuracies in GC |
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b. 140
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composition: Op. 38, Ballade in F major
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Two staccato marks written in A seem to be dots despite being bigger than usual – possibly Chopin emboldened them to make them better visible. FE read them as wedges. category imprint: Graphic ambiguousness; Differences between sources issues: Wedges , Inaccuracies in A |
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b. 141
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composition: Op. 38, Ballade in F major
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category imprint: Differences between sources issues: Errors of GC |
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b. 145
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composition: Op. 38, Ballade in F major
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Hairpins in both GC and FE are inaccurate – a sign written with too much impetus in GC, and a category imprint: Differences between sources issues: Inaccuracies in FE |