b. 50
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composition: Op. 38, Ballade in F major
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In FE1 the fifth semiquaver in the L.H. has an erroneous g instead of f. category imprint: Interpretations within context; Differences between sources issues: Errors in FE |
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b. 50
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composition: Op. 38, Ballade in F major
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The ninth semiquaver is placed somewhat too low in A so that FE1 has an a1 instead of b1 there. The error was corrected in FE2 (→FE3), the remaining sources also have the right text. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccurate note pitch in A , Authentic corrections of FE |
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b. 50
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composition: Op. 38, Ballade in F major
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A (→GC,FE1→FE2) lacks naturals before b in the L.H. and b2 in the R.H., while before b1 is written only on the 8th semiquaver (instead of the second). Those obvious imprecisions were corrected in other editions: in GE & EE all three necessary naturals were added (the on the 8th semiquaver, superfluous after those corrections was only removed in EE), and in FE3 only the signs before b and b2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions |
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b. 51-52
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composition: Op. 38, Ballade in F major
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The separate R.H. slurs in these bars result most likely from a misunderstanding of the notation in A by the engraver of FE. Bar 52 starts a new line in A, and the beginning of slur clearly indicates a continuation. However, the slur in bar 51 extends only slightly beyond the bar line what might have mislead the engraver. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Errors in EE , Inaccurate slurs in A , Uncertain slur continuation |
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b. 51-52
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composition: Op. 38, Ballade in F major
category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |