b. 16
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composition: Op. 10 No 3, Etude in E major
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In AI only two chords are written with notes, the first and the fifth ones. Chopin briefly marked the remaining ones with vertical dashes. category imprint: Source & stylistic information |
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b. 17-19
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composition: Op. 10 No 3, Etude in E major
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The fingering of EE is an addition by Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 17
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composition: Op. 10 No 3, Etude in E major
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The way in which the indication is written in A makes a misinterpretation highly likely. Due to this fact, in the main text we give preference to this version. Apart of the change of to in FE (→GE,EE), the ten. indication for the chord in the L.H. was omitted (the indication for the R.H. was reproduced in accordance with A), which reinforces the conviction about the engraver's inattention. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , fz – f |
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b. 17
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composition: Op. 10 No 3, Etude in E major
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Lack of a separate ten. for the L.H. is most probably a result of an inattention of the engraver of FE (→GE,EE). category imprint: Differences between sources issues: Errors in FE |
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b. 17
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composition: Op. 10 No 3, Etude in E major
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We consider the lack of slur in the editions as a mistake. category imprint: Differences between sources issues: Errors in FE |