



Articulation, Accents, Hairpins
b. 29
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composition: Op. 10 No 7, Etude in C major
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The long accent of considerable size over f category imprint: Interpretations within context; Differences between sources issues: Long accents , Annotations in teaching copies , Annotations in FED |
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b. 32
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composition: Op. 10 No 7, Etude in C major
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The assignment of the accents either to the right or left hand is unclear in A. According to us, the signs refer to the L.H., as in bar 29. In GE3 (→GE4), the 2nd sign was shortened to the form of a common accent. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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b. 35
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composition: Op. 10 No 7, Etude in C major
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In the main text we do not consider the category imprint: Interpretations within context; Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 35
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composition: Op. 10 No 7, Etude in C major
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The long accent was added by Chopin in a proofreading of FE (→GE,EE). However, the mark was printed under the part of the R.H., which is almost certainly a misunderstanding. category imprint: Interpretations within context; Differences between sources issues: Long accents , Authentic corrections of FE |
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b. 37
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composition: Op. 10 No 7, Etude in C major
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Omission of the category imprint: Differences between sources issues: EE revisions , Errors in FE |