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Op. 10 No 7, Etude in C major

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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 15-16

composition: Op. 10 No 7, Etude in C major

No signs in A

in FE (→GE,EE)
..

Chopin added dynamic hairpins at the time of proofreading FE (→GE,EE).

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 16-17

composition: Op. 10 No 7, Etude in C major

Wedges in A

Dots in FE (→GE,EE)
..

It is unclear whether Chopin wanted the first quavers in this bar to be provided with wedges, as it is in A, or dots, which were printed in FE (→GE,EE). Taking into account numerous inaccuracies in reproducing Chopin's wedges, in the main text we give preference to the notation of A.

category imprint: Differences between sources

issues: Inaccuracies in FE , Wedges

b. 17

composition: Op. 10 No 7, Etude in C major

No mark in A

Wedge in FE (→GE1,EE)

Dot in GE2 (→GE3→GE4)
..

In A Chopin omitted the staccato mark in the middle of bar 17, probably due to corrections. We consider the wedge added in a proofreading of FE (→GE1,EE) to be a binding indication of Chopin's intention in this respect. In GE2 (→GE3→GE4) the wedge was replaced with a dot.

category imprint: Differences between sources

issues: GE revisions , Authentic corrections of FE , Wedges

b. 18-20

composition: Op. 10 No 7, Etude in C major

Long accents in A (→FE→EE)

Short accents in GE
..

The type of accents in bars 18 and 20 (short or long) is not clear in FE – in GE they were reproduced as short, while in EE as long. We adopt that, same as in A, they are long accents. 

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE , Inaccuracies in FE

b. 19

composition: Op. 10 No 7, Etude in C major

No mark in A (→FE)

Wedge in GE1

Dot in GE2 (→GE3→GE4) & EE
..

Lack of the staccato mark in the middle of bar 19 in A (→FE) should rather be considered to be an inaccuracy. On the other hand, it is not certain which of the signs that appear in this fragment – dot or wedge – would have been used by Chopin if he had noticed this deficiency. In the main text we give preference to the wedge, as Chopin added this sign, while proofreading similar bar 17 in FE. The signs were added by the revisers of GE and EE – wedge in GE1, dot in EE and subsequent GE,s.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions