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Issues : Authentic corrections of FE
b. 47-49
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composition: Op. 10 No 6, Etude in E♭ minor
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A does not include slurs in bars 47-48, while the slur in bar 49 is unclear and blurred. The slurs adopted in the main text were added by Chopin in a proofreading of FE (→EE,GE1→GE2). In subsequent GE,s the slurs in bars 47-48 were overlooked, which is most probably a mistake. category imprint: Differences between sources |
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b. 49
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composition: Op. 10 No 6, Etude in E♭ minor
category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 50
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composition: Op. 10 No 6, Etude in E♭ minor
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The final version of the beginning of this bar is not entirely clear. A features a version with grace notes, yet written with a rhythmic error – the c
All accidentals added in GE and EE come from the revisers of these editions, while the
In the main text we add cautionary flats before a category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: Chopin's hesitations , GE revisions , Authentic corrections of FE |
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b. 50-51
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composition: Op. 10 No 6, Etude in E♭ minor
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The given in the main text fingering in the 2nd half of bar 50 was added by Chopin in a proofreading of FE. In this edition the 1st finger is repeated also over g category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , GE revisions , Authentic corrections of FE |
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b. 51-52
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composition: Op. 10 No 6, Etude in E♭ minor
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The given in the main text fingering of bar 51 was added by Chopin in a proofreading of FE (→GE1→GE2). Apparently, the deletion of the '2' digit (in ink) visible in FE should be understood as the '1' digit and this is the interpretation we include in the main text as a variant suggestion. The copy includes other signs (in pencil), which are probably also '1's over the 7th and 12th semiquavers in bar 51 and the 1st one in bar 52. However, the signs could be interpreted in another way, e.g., as an indication of performance with the R.H., therefore, we do not include them in the main text. In EE2 the final fragment of the Etude was provided with additional fingering and indications for the division between the hands contrary to the one written by Chopin. In EE3 (→EE4) those indications were removed, and four digits were added in bar 51. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Inaccuracies in GE , Annotations in FES , Authentic corrections of FE |