Fingering
b. 23
|
composition: Op. 10 No 6, Etude in E♭ minor
..
The unclear mark visible in FED may be a fingering digit ('1') or an indication to perform f by the left hand. category imprint: Differences between sources |
||||||||
b. 26
|
composition: Op. 10 No 6, Etude in E♭ minor
..
In the main text we give the fingering written by Chopin in A (→FE→GE). The fingering suggested by Fontana in EE matches the version with sole G. category imprint: Differences between sources issues: EE revisions |
||||||||
b. 38-40
|
composition: Op. 10 No 6, Etude in E♭ minor
..
In EE, at the beginning of each of these bars, Fontana added the fingering based on the one by Chopin from bar 17. category imprint: Differences between sources issues: EE revisions |
||||||||
b. 45-46
|
composition: Op. 10 No 6, Etude in E♭ minor
..
In the main text we give the fingering added by Chopin in FES. The 1st finger on e1 in bar 45 is also copied in A. category imprint: Differences between sources |
||||||||
b. 47-49
|
composition: Op. 10 No 6, Etude in E♭ minor
..
In the main text we reproduce the fingering written in bar 47 in A (→FE). The arrangement of the digits under or above the notes indicates a division between the hands, which was misinterpreted in GE. Fontana also did not include (did not understand?) this hint in EE, suggesting a different division and repeating his own indications in bars 48-49 (except the first note in bar 49). category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE |