Fingering
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b. 12
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composition: Op. 10 No 6, Etude in E♭ minor
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The meaning of the mark (marks?) visible in FEJ is uncertain. The mark over e category imprint: Differences between sources |
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b. 15-16
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composition: Op. 10 No 6, Etude in E♭ minor
category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 17-20
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composition: Op. 10 No 6, Etude in E♭ minor
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The fingering in bars 17-19 was added by Chopin in a proofreading of FE (→GE). We give it in the main text except for the erroneous digit over the last triad in the R.H. in bar 17, which is discussed separately. In EE Fontana entirely included Chopin's fingering and added his suggestions in the 2nd half of bar 17 and in bars 19-20. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 17
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composition: Op. 10 No 6, Etude in E♭ minor
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In FE (→GE) the lower digit of the last triad's fingering in the R.H. (4) seems to be erroneous, which is proved by a correction performed by Chopin in this place in FES. A similar change was introduced by Fontana in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FES |
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b. 22-31
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composition: Op. 10 No 6, Etude in E♭ minor
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In EE the fingering added in these bars was entirely performed by Fontana. category imprint: Differences between sources issues: EE revisions |
1 at the end of the bar may be a fingering digit.
