Rhythm
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b. 42-43
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composition: Op. 10 No 6, Etude in E♭ minor
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In the main text we give the version of the last semiquaver, introduced by Chopin in a proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 42
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composition: Op. 10 No 6, Etude in E♭ minor
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The overlooked in FE (→EE2,GE1→GE2) tie sustaining e1 was added in the remaining editions. The sign was also added in FEJ. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Annotations in FEJ |
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b. 44-45
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composition: Op. 10 No 6, Etude in E♭ minor
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The missing tie sustaining g in A is most probably Chopin's mistake, who added it in a proofreading of FE (→GE,EE). Cf. bars 12-13. category imprint: Differences between sources issues: Errors of A , Authentic corrections of FE |
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b. 45
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composition: Op. 10 No 6, Etude in E♭ minor
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The overlooked dot extending the e1 minim in A was added only in GE2 (→GE3→GE4→GE5). It is not a rhythmic mistake sensu stricto, yet the comparison with analogous bars 5 and 13 prove Chopin's error. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Inaccuracies in A |
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b. 46
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composition: Op. 10 No 6, Etude in E♭ minor
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Chopin wrote here d1-g1 on one stem, which probably contributed to the omission of the dot extending d1 in FE (→EE,GE1→GE2→GE3). In GE4 (→GE5) a more accurate notation was applied in this bar, used by Chopin in analogous bars 6 and 14. We adopt this solution in the main text. category imprint: Differences between sources |
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