Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 5, Etude in G♭ major
Sources
- Autograph
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected impression of GE1
- Second German edition
- Third German edition
- Fourth German edition
- Fifth German edition
- English edition
- First English edition
- Corrected impression of EE2
- Revised impression of EE3
GE2 - Second German edition
| Publisher: | Fr. Kistner |
| Date: | 1841⇒ |
| Title: | Douze Grandes Etudes || No. 5 |
| Dedication: | SON AMI F. LISZT |
Second German edition in which the text of GE1 was subject to a quite detailed review:
-
the erroneous
in bar 45 was changed to 
; -
e3 was changed to d3 in bars 12 and 52;
- incomplete pedal marks were completed in bars 10-11, 13, 16, 48, 54, 60, 66;
-
a cautionary before d1 in bar 9 was added (instead of an unjustified sign before c1);
- the wedge in bar 24 was changed to a dot, while in bars 73-74 slurs in the L.H. were added.
Some of the introduced revisions are evidently erroneous, e.g., moving the 
marks in bars 26 and 32. Assigning the 
marks to the R.H. in bars 45-46 is certainly contrary to Chopin's intention. In GE2 a few, as it seems, common mistakes, e.g., omitting staccato marks in bars 25, 30 and the fingering digit at the end of bar 64, were committed.
| Original in: | The Fryderyk Chopin Institute Library, Warsaw |
| Shelf-mark: | 1931/n |