Issues : GE revisions

b. 37-38

composition: Op. 10 No 11, Etude in E♭ major

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In A there are no flats lowering d2-d3 to d2-d3 in bar 38. The mistake was corrected in GE and EE. In bar 37 in FE was overlooked before the lower note of the 4th chord, which was also corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of A

b. 40-42

composition: Op. 10 No 11, Etude in E♭ major

Slurs in A & FE (→GE1) (literal reading), GE2 (→GE3GE4) & EE

Probable interpretation of A

Possible interpretation of A

Possible interpretation of FE

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Lack of slurs in bars 40-42 seems to be Chopin's oversight – it is revealed by both the musical context and some graphic features of the slurs of A and FE. In A the bars are written with an octave sign, which Chopin could mistakenly perceive as a slur (it is on the level of the slur from bars 38-39); moreover, the 1st slur in bar 43 suggests a continuation from bar 42 on the previous page. In turn, in FE (→GE1) the end of the slur in bar 39 is led to the bar line, contrary to A, which suggests its continuation in bar 40 in a new line (in the remaining editions the slur was shortened). Taking this into account, in the main text we suggest to add the slurs in a way which could stem from the notation of A, as well as alternative possibilities including also the suggestion of FE

category imprint: Interpretations within context; Editorial revisions

issues: EE revisions , Inaccuracies in FE , Inaccurate slurs in A , GE revisions

b. 40

composition: Op. 10 No 11, Etude in E♭ major

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Before the last chord in A there are no naturals returning c2 and c3. The accidentals were probably added only in the last proofreading of FE (→EE), as they are not included in GE1 (they were added in subsequent GE,s).

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE

b. 42

composition: Op. 10 No 11, Etude in E♭ major

f in A, GE & EE

g in FE

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as the lowest note of the 3rd chord is almost certainly an error of the engraver of FE.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , GE revisions

b. 44

composition: Op. 10 No 11, Etude in E♭ major

e in A, GE & EE

in FE

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as the lowest note of the chord on the 2nd quaver in the bar is most probably the engraver's error. The note was changed to e both in GE and EE.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Terzverschreibung error , GE revisions