Issues : GE revisions
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b. 25
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composition: Op. 10 No 11, Etude in E♭ major
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In FE (→GE1) the category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 26-32
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composition: Op. 10 No 11, Etude in E♭ major
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From the 2nd quaver in bar 26 in the R.H. and from the 3rd quaver in bar 27 in the L.H. there are no arpeggio marks in A until the end of bar 32. It is undoubtedly a result of Chopin's distraction. The wavy lines were added in a proofing of FE (→GE,EE), yet in FE the 1st chord in bar 29 was omitted. category imprint: Differences between sources issues: EE revisions , GE revisions , Errors of A , Authentic corrections of FE |
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b. 26
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composition: Op. 10 No 11, Etude in E♭ major
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Moving category imprint: Differences between sources issues: GE revisions |
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b. 27-29
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composition: Op. 10 No 11, Etude in E♭ major
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According to us, the chords at the beginning of bars 27 and 29 in A are provided with wedges (in opposition to dots in bars 26 and 28). In the editions both marks were reproduced as dots. In GE1 (→GE2) the dot over the 1st chord in the R.H. in bar 28 was omitted. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in GE , GE revisions |
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b. 27-29
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composition: Op. 10 No 11, Etude in E♭ major
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In bars 27 and 29 there are no cautionary accidentals in A. The flat before e category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
in 
in 
1 in bar 27 was added in