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b. 72
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composition: Op. 10 No 12, Etude in C minor
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In the main text we give the fingering added by Chopin in a proofreading of FE (→GE). We do not include the specifying additions introduced by Fontana to EE. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 72
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composition: Op. 10 No 12, Etude in C minor
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It seems that the slur in A is written inaccurately, thus in the main text we give the interpretation adopted in FE (→GE,EE). category imprint: Graphic ambiguousness issues: Inaccurate slurs in A |
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b. 72
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composition: Op. 10 No 12, Etude in C minor
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The arpeggio in FE (→EE,GE1→GE2) embraces only two lower notes of the chord. It is certainly a result of a misinterpretation of A. In GE3 (→GE4) the mark was omitted. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |
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b. 73-76
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composition: Op. 10 No 12, Etude in C minor
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In the main text we give the fingering added by Chopin in a proofreading of FE (→GE). In bars 73-74 we also add specifying entries made by Chopin in FED. However, we do not include this kind of additions performed by Fontana in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Authentic corrections of FE |
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b. 73
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composition: Op. 10 No 12, Etude in C minor
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Most probably Chopin added the staccato dot in a proofreading of FE (→GE,EE). In A the reason for its omission could be a mistake whose correction required rewriting the entire bar. category imprint: Differences between sources; Corrections & alterations issues: Errors resulting from corrections , Authentic corrections of FE |
