



Pitch
b. 1-5
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composition: Op. 10 No 2, Etude in A minor
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In bars 1 and 5 in CLI there are no naturals returning a1, d2 and f2. The signs were also originally absent in FEcor (→FE,EE), in which Chopin added all of them. A correct notation is featured in Ap too. Similarly as in all subsequent repetitions of this bar (bars 9, 13, 36 and 40). category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Authentic corrections of FE |
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b. 1-5
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composition: Op. 10 No 2, Etude in A minor
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Before the last semiquaver in bar 1 FE (→EE2) has an undoubtedly authentic cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 1-5
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composition: Op. 10 No 2, Etude in A minor
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The cautionary accidentals before c1 in the L.H. were added in the L.H. in one of the last proofreadings of FE (→GE). They are also included in EE, apart from the category imprint: Differences between sources issues: Cautionary accidentals , EE inaccuracies , Authentic corrections of FE |
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b. 2-6
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composition: Op. 10 No 2, Etude in A minor
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Lack of the lower octave at the beginning of bars 2 and 6 in Ap suggests Chopin's hesitation concerning its presence – the octaves are both in CLI, representing the earliest stage of the Etude's notation and in FE (→GE,EE), which ends the shaping process of the piece's text. Similarly in bar 10, 14, 37 and 41. category imprint: Differences between sources issues: Chopin's hesitations |
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b. 2
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composition: Op. 10 No 2, Etude in A minor
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CLI has mistakenly c3 as the 8th semiquaver. A similar mistake in CLI occurs also in bars 10 and 14. category imprint: Interpretations within context; Differences between sources issues: Errors of CLI |