



Pitch
b. 2-6
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composition: Op. 10 No 2, Etude in A minor
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The fifth on the 3rd beat of bars 2 and 6 in CLI is probably the original version. The c1 notes were originally absent also in FE, as in both bars Chopin added them in FEcor. Chopin hesitated in which places to put the cautionary naturals before c1, which can already be seen in FEcor, where before the triad on the 2nd beat of bar 2, a category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Cautionary accidentals , Accompaniment changes , Authentic corrections of FE , Uncertain notes on ledger lines |
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b. 2-6
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composition: Op. 10 No 2, Etude in A minor
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We add cautionary naturals before a2 at the beginning of bars 2 and 6. category imprint: Editorial revisions |
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b. 2
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composition: Op. 10 No 2, Etude in A minor
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In the middle of the bar in FEcor there is no category imprint: Interpretations within context; Source & stylistic information issues: Errors in FE , Authentic corrections of FE |
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b. 2-6
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composition: Op. 10 No 2, Etude in A minor
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In bars 2 and 6 in one of the last proofreadings of FE (→GE,EE) cautionary naturals before c2 in the chord at the end of the bar were added. According to us, accidentals in those places are actually unjustified, yet due to their probable authenticity, we suggest to consider the first of them. category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE |
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b. 2-6
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composition: Op. 10 No 2, Etude in A minor
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Lack of the category imprint: Differences between sources issues: Omissions to cancel alteration , Authentic corrections of FE |