Issues : Cautionary accidentals
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b. 9-13
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composition: Op. 10 No 2, Etude in A minor
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The cautionary naturals before c1 in the L.H. were added in bars 9 and 13 in one of the last proofreadings of FE (→GE). They are also included in EE, except for the category imprint: Differences between sources issues: Cautionary accidentals , EE inaccuracies , Authentic corrections of FE |
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b. 10-14
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composition: Op. 10 No 2, Etude in A minor
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In bars 10 and 14 in one of the last proofreadings of FE (→GE,EE) cautionary naturals before c2 in the last triad in the bar were added. According to us, signs in these places are unjustified. category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 13
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composition: Op. 10 No 2, Etude in A minor
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In the main text we do not consider the cautionary category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals |
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b. 21-23
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composition: Op. 10 No 2, Etude in A minor
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In CLI and Ap there are no cautionary naturals before bass notes at the beginning of bars 21 and 23: before D in CLI and before D and E in Ap. category imprint: Differences between sources issues: Cautionary accidentals |
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b. 21-22
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composition: Op. 10 No 2, Etude in A minor
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In CLI there are no essential accidentals in the part of the R.H., some of them were also omitted in the base text for FE. In subsequent proofings of FE Chopin, however, added all of them, so final FE (→EE) does not include any errors in this scope. Ap also has a totally correct notation. Lack of the category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
overlooked in bar 13 in