|
b. 77-78
|
composition: Op. 45, Prelude in C♯ minor
..
According to us, the difference in placing the indication ritenuto reflects a discrepancy between two autographs. In the main text we give the indication after GE, which is based on the probably later autograph, [A2]. category imprint: Differences between sources |
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b. 78
|
composition: Op. 45, Prelude in C♯ minor
..
The indication category imprint: Differences between sources |
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b. 79
|
composition: Op. 45, Prelude in C♯ minor
..
In FE (→EE) Cadenza was printed with normal-sized notes. A similar inaccurate reading of manuscripts can be found in the Mazurka in C major Op. 24 No. 2, bars 70-88, as well as in the Scherzo in B category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 79
|
composition: Op. 45, Prelude in C♯ minor
..
This and two similar remarks in subsequent lines (one per each line) concern the differences in the presence of accidentals. We have included all situations in which at least one of the sources differs from the others, but in which the presence or absence of the sign does not raise any doubts, as far as the correct sound is concerned. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Omissions to cancel alteration , Cautionary accidentals , EE inaccuracies , FE revisions |
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b. 79
|
composition: Op. 45, Prelude in C♯ minor
..
In this line of Cadenza we add a cautionary category imprint: Editorial revisions |
in 
major Op. 31, bars 
before g
before e1 at the beginning of the 6th group.