



b. 68
|
composition: Op. 45, Prelude in C♯ minor
..
In the main text we give the notation of GE, which is more coherent with the notation of appropriate octaves in bar 70 and 74. The version of FE (→EE) most probably means that in that one place Chopin already in [A1] used the notation, which he subsequently, writing [A2] (→GE), considered the better one. category imprint: Differences between sources |
|||||||
b. 70-74
|
composition: Op. 45, Prelude in C♯ minor
..
In the main text we make the notation of the 2nd half of bar 70 and 74 more precise, following the undoubtedly correct and precise notation of FE1 in bar 8 and GE in bar 22. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE |
|||||||
b. 70-74
|
composition: Op. 45, Prelude in C♯ minor
..
The category imprint: Interpretations within context; Differences between sources; Editorial revisions |
|||||||
b. 71
|
composition: Op. 45, Prelude in C♯ minor
..
We propose to complete the arpeggio mark on the basis of the notation used in GE in analogous bar 9. category imprint: Editorial revisions |
|||||||
b. 71
|
composition: Op. 45, Prelude in C♯ minor category imprint: Differences between sources issues: Dotted or even rhythm |