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b. 35
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composition: Op. 45, Prelude in C♯ minor
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In FE (→EE) the third b category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 36-37
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composition: Op. 45, Prelude in C♯ minor
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For the main text – as in the remaining similar fragments – we adopt the version based on GE. The version of FE can be considered as an equivalent variant of the notation. EE has one sign, similarly to GE, which results from the interpretation of the signs of FE as the ones marking the continuation of the change of dynamics. category imprint: Differences between sources issues: EE revisions , Hairpins denoting continuation |
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b. 36
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composition: Op. 45, Prelude in C♯ minor
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Considering the presence of category imprint: Differences between sources issues: Errors in GE |
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b. 36
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composition: Op. 45, Prelude in C♯ minor
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The notation of GE, although perfectly correct, does not render Chopin’s intentions in this fragment, according to the editors. It is reflected by the notation in three analogous bars, bars 40, 44 and 48, in which both notes of the octave in the middle of the bar are connected with one stem. Moreover, the logic of leading the voices requires the stem to connect longer rhythmic values and not quavers (Cf. the remark concerning bars 8-22). Due to those circumstances, for the main text we propose a notation modelled on GE, modified on the basis of comparison with other similar fragments. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE |
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b. 36
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composition: Op. 45, Prelude in C♯ minor
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Lack of flats in front of two last quavers is a patent inaccuracy of FE1, corrected in FE2. GE also has a correct text. A suitable addition was also introduced to EE, in which, however, the pitch of the fourth quaver was changed from c category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Omission of current key accidentals , FE revisions |