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b. 83-84
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composition: Op. 45, Prelude in C♯ minor
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It is hard to determine whether the clear difference between FE (→EE) and GE follows the equally clear difference between [A1] and [A2], as such a sign of mid-length could have been interpreted differently by the engravers of FE1 and GE. According to us, it is more likely that the category imprint: Differences between sources issues: Long accents |
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b. 84-85
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composition: Op. 45, Prelude in C♯ minor
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The pedalling, present only in GE, is probably an element of a slightly more diligent development of [A2] by Chopin. category imprint: Differences between sources |
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b. 85-86
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composition: Op. 45, Prelude in C♯ minor
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Both versions of the range of category imprint: Differences between sources |
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b. 85
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composition: Op. 45, Prelude in C♯ minor
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The notation of the octave a1-a2 in FE and GE is certainly inaccurate, which was corrected by the reviser of #EE. In that edition, however, one extending dot was added next to a1, which indicates a misunderstanding of Chopin's simplified notation, in which the progression a1-g1 of the lower voice was not separated. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Different values of chord components , Inaccuracies in GE , Inaccuracies in FE |
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b. 87-88
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composition: Op. 45, Prelude in C♯ minor
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The main text based on GE and FE2 and the version of FE1 present two possible interpretations of dynamic signs in this place. Shorter hairpins in EE probably result from an attempt to avoid crossing category imprint: Differences between sources issues: Hairpins denoting continuation |
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