



Articulation, Accents, Hairpins
b. 64
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composition: WN 17, Polonaise in B♭ major
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The dynamic hairpins proposed by EF suggest a natural virtuoso panache of the phrase in this bar. The only dynamic indication of PE, cresc. at the end of the bar, clearly runs counter to them. In the main text we give the indications of the base source. category imprint: Differences between sources |
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b. 65
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composition: WN 17, Polonaise in B♭ major
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When read literally, the dynamic signs of PE in this bar create problems in interpretation. Combination of three signs in such a small space, out of which two, partially overlapping, indicate contrary dynamic changes, suggests inaccuracies or errors in reading [A]. According to us, the first sign is put inaccurately, while two subsequent ones – erroneously (mirror reflection of the sign). In the main text we propose the latter, interpreted as a long accent and category imprint: Interpretations within context; Differences between sources issues: Sign reversal , Errors in PE |
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b. 65
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composition: WN 17, Polonaise in B♭ major
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The interpretation of the sign of PE, in spite that it was printed inaccurately, does not raise any major doubts (it is meant to emphasise the delaying dissonance e category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in PE |
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b. 66
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composition: WN 17, Polonaise in B♭ major
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In the main text we give the undoubtedly authentic dynamic indications of PE. In JC they are not featured at all, while in EF there are only category imprint: Differences between sources |
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b. 66
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composition: WN 17, Polonaise in B♭ major
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Emphasis on the e category imprint: Differences between sources |