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b. 88-97
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composition: WN 17, Polonaise in B♭ major
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The meaning and number of slurs starting from the d and d1 crotchets on the 2nd beat of bars 88-89 and 96-97 are unclear. The situation in JC and PE, in which those bars are only a repetition of bars 52-53 and 60-61, is discussed in the note concerning those bars. Consistent ties in bars 88 and 96 in EF may be a result of Fontana's interpretation and revision, which is indicated by lack of a similar consistency in bars 89 and 97, including the difference between FEF and GEF in bar 89. However, assuming that the notation of FEF in bars 88-89 and 96 is correct, we propose to add the missing slurs in bar 97. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources |
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b. 88-97
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composition: WN 17, Polonaise in B♭ major
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The division into voices in the chords on the 3rd beat of bars 88-89 and 96-97 – see bars 52-61. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources |
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b. 88-97
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composition: WN 17, Polonaise in B♭ major
category imprint: Differences between sources |
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b. 88-96
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composition: WN 17, Polonaise in B♭ major
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Possible arpeggios in the L.H. in bars 88 and 96 – see bars 52 and 60. category imprint: Differences between sources |
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b. 89-97
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composition: WN 17, Polonaise in B♭ major
category imprint: Differences between sources |
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