b. 334
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composition: Op. 39, Scherzo in C♯ minor
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Out of the three rhythmic variants in the RH part in this bar only two are definitely authentic : in GC (>GE1) and in FE. The rhythm in GC comes as the earlier version and while correcting FE Chopin replaced it with the rhythm consistent with bars 322, 326 and also 342. The EE variant may well be the earliest one of the bar, however we cannot rule out an error here. The editor of GE2 when introducing the FE version most probably unconsciously repeated Chopin's correction made earlier to FE. category imprint: Differences between sources |
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b. 335
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composition: Op. 39, Scherzo in C♯ minor
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In FE augmenting e to e is indispensable. In other sources it is only a cautionary marking after e1 in the previous bar (it is not there in EE). Similarly in FE augmenting c1 to c1. As a cautionary accidental it is only used in EE. category imprint: Source & stylistic information issues: Cautionary accidentals |
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b. 336
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composition: Op. 39, Scherzo in C♯ minor
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We believe there is little chance that Chopin consciously left out sotto voce at any stage of preparing FE. category imprint: Differences between sources |
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b. 336-343
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composition: Op. 39, Scherzo in C♯ minor
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Slur endings in bars 339 and 343 are innacurately notated in GC as the slurs extend over to the rests on the second beat of the bar. category imprint: Source & stylistic information issues: Inaccuracies in GC |
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b. 337
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composition: Op. 39, Scherzo in C♯ minor
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In EE, GC and FE1 there is no augmenting a2 to category imprint: Differences between sources issues: Accidentals in different octaves , Inaccuracies in FE , GE revisions , EE inaccuracies , FE revisions , Inaccuracies in GC |