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b. 339
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composition: Op. 39, Scherzo in C♯ minor
..
There is no bass clef at the end of the bar in EE, GC or FE. Given this consistency of sources we may cpnclude that this error was already present in the two autographs. Since the chords of RH in b. 340 are notated on two staves, lack of the clef does not pose any problems for the text interpetation (in EE and FE b. 340 is printed as the new line of the text with the right clef at the beginning, which minimises the consequences of this omission). The clef was supplemented in GE. We can find similar inaccuracy in b. 347. category imprint: Source & stylistic information issues: Inaccuracies in FE , GE revisions , EE inaccuracies , Errors of GC |
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b. 341-342
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composition: Op. 39, Scherzo in C♯ minor
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In EE na GC there is no category imprint: Differences between sources; Source & stylistic information issues: GE revisions , EE inaccuracies , Errors of GC |
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b. 344
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composition: Op. 39, Scherzo in C♯ minor
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In FE the crotchet in LH is f category imprint: Differences between sources issues: Errors in FE |
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b. 344-347
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composition: Op. 39, Scherzo in C♯ minor
category imprint: Differences between sources issues: Errors in EE , Inaccuracies in GC , Errors of GC |
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b. 345
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composition: Op. 39, Scherzo in C♯ minor
..
In EE, GC and FE there is no category imprint: Differences between sources issues: Accidentals in different octaves , Inaccuracies in FE , GE revisions , EE inaccuracies , Inaccuracies in GC |
augmenting a to a
in b. 342, which is obvious inaccuracy given 
