|
b. 281-283
|
composition: Op. 39, Scherzo in C♯ minor
..
The authenticity of the slur in EE seems very likely, yet one cannot entirely rule out the possibility of misinterpreting the category imprint: Differences between sources |
||||||||
|
b. 282-284
|
composition: Op. 39, Scherzo in C♯ minor
..
In bars 282 and 284 we add cautionary category imprint: Editorial revisions; Source & stylistic information issues: Cautionary accidentals |
||||||||
|
b. 282-283
|
composition: Op. 39, Scherzo in C♯ minor
..
In FE1 the octave sign ends as late as bar 283. The error was corrected in FEJ and FES, and also in FE2. category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FES , Annotations in FEJ |
||||||||
|
b. 283-287
|
composition: Op. 39, Scherzo in C♯ minor
..
In GC, the slur ends in bar 283 at the end of the page. The fact that it is not continued on the next page is probably an oversight. We adopt the consistent version of EE and FE. category imprint: Differences between sources issues: Errors of GC |
||||||||
|
b. 284
|
composition: Op. 39, Scherzo in C♯ minor
..
The asterisk category imprint: Differences between sources issues: EE inaccuracies |
mark as a slur (pcf. the note to bars 280-282). This is why in our main text we suggest, by using brackets, the possibility of disregarding that slur. 
before d
3 and d
in