b. 72-73
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composition: Op. 39, Scherzo in C♯ minor
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In our main text we give the dynamic markings ( and a long accent) as we see them in GC (→GE). EE has none of those marks, and FE only has in bar 72. Those are either earlier versions, or results of oversight. category imprint: Differences between sources issues: Errors in EE |
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b. 72-74
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composition: Op. 39, Scherzo in C♯ minor category imprint: Differences between sources issues: Inaccuracies in GC |
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b. 74-75
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composition: Op. 39, Scherzo in C♯ minor
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EE and GC (→GE) have an accent over the tied c sharp2 in bar 74 (in GE the accent is placed under the octave c sharp1-c sharp2). In FE c sharp2 is not tied, and the accent can both be found in bar 74 and at the beginning of bar 75. category imprint: Differences between sources issues: Placement of markings |
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b. 74
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composition: Op. 39, Scherzo in C♯ minor
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The slur in FE is doubtless the result of wrong understanding of the hand-written base text, which was perhaps inaccurate. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 74-75
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composition: Op. 39, Scherzo in C♯ minor
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The tie sustaining c sharp is only present in GC (→GE). In the editors' opinion, both versions can be treated as equal. category imprint: Differences between sources |