Pedalling
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b. 576-580
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composition: Op. 39, Scherzo in C♯ minor
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Pedalling signs only present in FE may have been added by Chopin upon proofreading, which is furrther indicated by the lack of such signs in b. 608 and 612, which in the manuscript serving as the basis for FE, were most probably marked as repetitions of bars 576 and 580, and so should include the same performance markings. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 589-596
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composition: Op. 39, Scherzo in C♯ minor
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No pedalling in these bars in EE is most probabbly a trace of the original version of this part. category imprint: Differences between sources |
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b. 608-612
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composition: Op. 39, Scherzo in C♯ minor
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The EE pedalling, which is not confirmed in the remaining sources, nor in the corresponding bars, may raise some doubts regarding its authenticity. We propose to add pedal marks in bars 608 and 612 analogous to bars 576 and 580, which we can find in FE. The fact that in GC bars 605-616 are marked as the repetition of bars 573-584 suggests that Chopin did not intend any differences in these parts. category imprint: Differences between sources; Editorial revisions |
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b. 617-620
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composition: Op. 39, Scherzo in C♯ minor
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Pedalling marked category imprint: Differences between sources |
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b. 632-634
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composition: Op. 39, Scherzo in C♯ minor
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None of the sources provides correct pedalling in these bars. No category imprint: Differences between sources issues: Inaccuracies in FE , No pedal release mark , Errors of GC |
in b. 617 and 
in b. 620 as seen in 
