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Issues : GE revisions
b. 5-17
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In bars 5, 7, 9 and 13, 15 & 17 in GE1 (→FE→EE) the category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 7-8
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The slur in those bars is evident in A (→GE1) and provokes no stylistic doubts. The change made in GE2 (→GE3) by analogy with bars 5-6 and 9-10, where the notation of A is not that clear, misses - in our opinion - Chopin's intention. The absence of the slur in FE (→EE) is doubtless a mistake. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 15-16
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A (→GE1) there is a cautionary category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , Authentic corrections of FE , Last key signature sign |
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b. 16
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The long accent of A was quite faithfully reproduced in GE1 (→FE). Still, in EE and GE2 (→GE3) the sign was shortened to an ordinary short accent. category imprint: Differences between sources issues: Long accents , GE revisions , EE inaccuracies |
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b. 18
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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It is not certain whether the dot visible in A between the two notes of the sixth a1-f2 is a staccato sign or a miniature blot of ink without any significance. In all the places where Chopin marked staccato in a similar context, dots are placed above the notes. Therefore we leave the decision about taking this particular dot into consideration to the performer. category imprint: Interpretations within context; Differences between sources issues: GE revisions , EE inaccuracies |