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Issues : Errors in GE
b. 10-11
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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We give the text of A as our main text. The absence of the tied octave f2-f3 in GE1 (→FE→EE) is most probably a mistake, which is in a sense confirmed by the reintroduction of the ties in GE2 (→GE3). However, a puzzling fact is the omission of that place in the proofing of FE, and particularly lack of that correction in FED, in which Chopin added a natural in bar 10 and a fingering numeral in bar 11. This may testify to the acceptance by the composer of the version of striking the entire chord at the beginning of bar 11. category imprint: Differences between sources issues: Errors in GE |
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b. 13
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The version of FE (→EE1→EE2), in which the first one of the basic motifs of the Mazurka was distorted, is certainly wrong. The corrections in EE3 were most probably made on the basis of GE1. category imprint: Differences between sources issues: Errors in FE , Errors in GE |
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b. 19-20
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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There are two deleted bars between bars 19 and 20 in A (see the note above). The slur a1-b category imprint: Differences between sources issues: Errors in GE |
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b. 36-37
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A, the double-dotted quaver e category imprint: Differences between sources issues: Errors in GE |
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b. 40
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The long accent of A was overlooked in GE1 (→FE→EE). It was later added – as an ordinary short accent – in GE2 (→GE3). category imprint: Differences between sources issues: Long accents , Errors in GE |