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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 73

composition: Op. 24 No. 4, Mazurka in B♭ minor

Dots in A

No signs in GE (→FEEE)

..

The dots over the three quavers were omitted in GE (→FEEE).

category imprint: Differences between sources

issues: Errors in GE

b. 73

composition: Op. 24 No. 4, Mazurka in B♭ minor

 in A

GE (→FEEE)

..

In the main text we give the hairpins  according to A. In GE (→FEEE) they were fitted to the quaver group.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 74-76

composition: Op. 24 No. 4, Mazurka in B♭ minor

A possible reading of   in A

Another reading of A

A possible interpretation of A

Another interpretation of A and GE2 (→GE3)

GE1 (→FE)

  in EE

..

The hairpins   in A may be read and interpreted in a number of ways. This is so because the beginning of the mark was drawn too vigorously and its ends are of unequal length. The versions of GE1 (→FE) and GE2 (→GE#) present two attempts to decipher the notation of A. The hairpins   in EE are probably a distorted accent.

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions , Inaccuracies in GE , Scope of dynamic hairpins , GE revisions , Unclear hairpins in A

b. 75

composition: Op. 24 No. 4, Mazurka in B♭ minor

A wedge in A

A dot in GE (→FEEE)

..

The wedge written in A  over the 1st quaver of the bar was replaced with a dot under the note in GE (→FEEE).

category imprint: Differences between sources

issues: Inaccuracies in GE , Wedges

b. 76

composition: Op. 24 No. 4, Mazurka in B♭ minor

A long accent in A

A short accent in GE

A short accent in FE

No accent in EE

..

The long accent over the minim b flat1 in A was written as a short one in GE. In FE it was placed under the note. In EE the accent is absent, as it was interpreted as   hairpins complementing the  hairpins from bar 75.

category imprint: Differences between sources

issues: Long accents , EE revisions , Inaccuracies in GE