Articulation, Accents, Hairpins
b. 73
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composition: Op. 24 No. 4, Mazurka in B♭ minor
category imprint: Differences between sources issues: Errors in GE |
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b. 73
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In the main text we give the hairpins according to A. In GE (→FE→EE) they were fitted to the quaver group. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 74-76
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The hairpins in A may be read and interpreted in a number of ways. This is so because the beginning of the mark was drawn too vigorously and its ends are of unequal length. The versions of GE1 (→FE) and GE2 (→GE#) present two attempts to decipher the notation of A. The hairpins in EE are probably a distorted accent. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in GE , Scope of dynamic hairpins , GE revisions , Unclear hairpins in A |
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b. 75
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The wedge written in A over the 1st quaver of the bar was replaced with a dot under the note in GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 76
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The long accent over the minim b flat1 in A was written as a short one in GE. In FE it was placed under the note. In EE the accent is absent, as it was interpreted as hairpins complementing the hairpins from bar 75. category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE |