Articulation, Accents, Hairpins
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b. 63
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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A wedge over a flat visible in A was omitted in GE1 (→FE→EE). In GE2 (→GE3) the staccato sign was supplemented in the form of a dot under the note. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , GE revisions , Wedges |
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b. 64
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composition: Op. 24 No. 4, Mazurka in B♭ minor
category imprint: Differences between sources issues: Errors in FE |
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b. 67
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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A wedge over a flat visible in A was omitted in GE1 (→FE→EE, → GE2). In GE3 the staccato sign was supplemented in the form of a dot under the note category imprint: Differences between sources issues: Errors in GE , GE revisions , Wedges |
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b. 67
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A (→GE1→FE→EE) there is no staccato dot under the bass note A flat. We supplement that dot, as we see no reason for the note to be performed with a different articulation than the four preceding ones and the subsequent ones, marked with dots in A. The dots were added in GE2 (→GE3). category imprint: Differences between sources issues: GE revisions |
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b. 68
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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It is not certain whether an ink trace visible under D flat is a staccato dot or a mark that remains after incomplete removal of a sign (accent?). Unmistakable dots in analogous bars 64 and 84 weigh in favour of staccato. In GE (→FE→EE) there is no dot here. category imprint: Graphic ambiguousness; Differences between sources issues: Corrections in A , Errors resulting from corrections |
