Articulation, Accents, Hairpins
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b. 80
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE2 (→GE3), a staccato dot was added under D flat. Having compared the markings in analogous bars of the entire section (bars 61-91), we do not see any justification for that addition. category imprint: Differences between sources issues: GE revisions |
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b. 81-82
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE2 (→GE3) staccato dots were added for bass notes G flat. We find this addition insufficiently justified. category imprint: Differences between sources issues: GE revisions |
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b. 82
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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We give the wedge written in A. In GE1 (→FE→EE) the sign was omitted and a dot was added in GE2 (→GE3). category imprint: Differences between sources issues: Errors in GE , GE revisions , Wedges |
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b. 83
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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A dot under a flat can only be found in FE, which may mean that it was added in proofing by Chopin. For reasons stated in the note to bars 92-93, we propose a wedge for our main text here, in accordance with the markings used by the composer in the analogous bar 67 in A. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 83
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE2 (→GE3), a staccato dot was added under the bass note A flat. We do not find sufficient justification for that addition. category imprint: Differences between sources issues: GE revisions |
