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b. 22-28
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composition: Op. 24 No. 2, Mazurka in C major
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In those bars, the pedal release marks are placed at the end of the bar in A, after the 3rd crotchet in the L.H. In GE1 (→FE→EE) all the marks are printed under the 3rd crotchet, which may suggest - against A – the necessity of rhythmical release of the pedal at that moment. The notation of A was restored in GE2 (→GE3), with the exception of bar 24. The problem also occurs in bars 29-36 and 57-68. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 24
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composition: Op. 24 No. 2, Mazurka in C major
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In A, the dynamic mark category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 25-26
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composition: Op. 24 No. 2, Mazurka in C major
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Contrary to the notation of A, in GE (→FE→EE) the category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins |
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b. 26
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composition: Op. 24 No. 2, Mazurka in C major
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In bar 26 in GE1 (FE→EE) the category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 27
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composition: Op. 24 No. 2, Mazurka in C major
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The staccato dot over the crotchet g2 is missing In EE, which is obviously a mistake. category imprint: Differences between sources issues: Errors in EE |