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b. 33
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composition: Op. 24 No. 2, Mazurka in C major
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A bears the traces of deleted pedal markings in this bar. Considering that this bar differs from the analogous bar 25 by a single note only, one could suspect a misunderstanding here, yet the basic assumption that should be made is that Chopin actually wanted to add variety to one of the four similar phrases. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 34
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composition: Op. 24 No. 2, Mazurka in C major
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The extent of the hairpins category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins |
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b. 35
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composition: Op. 24 No. 2, Mazurka in C major
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What is clearly a wedge in A has been reproduced in GE (→FE→EE) as a dot. The entire Opus 24 has only dots as staccato signs in the first editions. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 35
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composition: Op. 24 No. 2, Mazurka in C major
category imprint: Differences between sources issues: EE revisions |
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b. 35
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composition: Op. 24 No. 2, Mazurka in C major
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Chopin's category imprint: Interpretations within context issues: Cautionary accidentals |