Articulation, Accents, Hairpins
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b. 35
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composition: Op. 24 No. 2, Mazurka in C major
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What is clearly a wedge in A has been reproduced in GE (→FE→EE) as a dot. The entire Opus 24 has only dots as staccato signs in the first editions. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 38-40
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composition: Op. 24 No. 2, Mazurka in C major
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There are no staccato signs above the crotchet on the 2nd beat in bars 38 and 40 in A (→GE1→FE→EE). In GE2 (→GE3) dots were added in those places. As the lack of the signs most probably results from inaccurate notation of A, we suggest adding wedges, following the example of most analogous bars. category imprint: Interpretations within context; Differences between sources issues: GE revisions |
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b. 41-43
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composition: Op. 24 No. 2, Mazurka in C major
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The accents on the 2nd beat in bars 41 and 43 are definitely long ones in A, yet GE1 (→FE→EE) have short accents in both places. That inaccuracy was corrected in GE2 (→GE3). category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 42
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composition: Op. 24 No. 2, Mazurka in C major
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In A (→GE1→GE2, FE→EE), there are no staccato signs above the crotchet on the 2nd beat of the bar. In GE3 a dot was added. As the lack of the sign most probably results from inaccurate notation of A, in our main text we add a wedge, following the example of most analogous bars. category imprint: Interpretations within context; Differences between sources issues: GE revisions |
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b. 44
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composition: Op. 24 No. 2, Mazurka in C major
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The wedge above the crotchet b1, present in A, was omitted from GE1 (→FE→EE). The staccato sign was restored in GE2 (→GE3) in the form of a dot. category imprint: Differences between sources issues: Errors in GE , GE revisions |
