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WN 55, Waltz in F minor

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b. 47

composition: WN 55, Waltz in F minor

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CC overlooked the natural of d1 - we add it in the editorial version.

category imprint: Differences between sources; Editorial revisions

b. 47

composition: WN 55, Waltz in F minor

 
 
 
 
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The autographs and their copies feature one version of the L.H.: e on the 1st beat and then two a-c1 thirds. CC repeats the version of the L.H. from bar 31. A similar situation occurs in F, which also repeats the variant from bar 31.

In FC and FEF, it is an A minim (without dot) that falls on the 1st beat; the rest of the text is like in PE and GEF. In the written-out repetition in FEF, there is a dotted minim for the second time, like in PE and GEF.

category imprint: Differences between sources

b. 47-48

composition: WN 55, Waltz in F minor

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In all autographs (AO, AR, AE, AK, AG) and CX and CY copies, there is an identical phrase mark. In AR, the phrase mark is led at the bottom. In CC, there is no phrase mark here.

category imprint: Differences between sources

b. 48

composition: WN 55, Waltz in F minor

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The sources differ in the rhythmic value of E on the 1st beat in the L.H. In the autographs and in CX, CY and CC, it is a crotchet, in FC - a minim, whereas in PE, FEF and GEF - a dotted minim.

category imprint: Differences between sources

b. 49

composition: WN 55, Waltz in F minor

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In AR, AG (→CY) and PE, there is a rest in the top voice in the L.H. In the remaining sources, there is no rest.

category imprint: Differences between sources