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b. 50
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composition: WN 55, Waltz in F minor
..
In CX and CY, there is a mordent sign, contrary to the notation of the copied autographs. In AR, there is an unobvious ornament; it is most likely a trill, like in the remaining autographs. category imprint: Graphic ambiguousness; Differences between sources |
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b. 50
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composition: WN 55, Waltz in F minor
..
In CC, the g note in the chord on the 2nd beat in the L.H. was probably overlooked; however, this variant cannot be considered erroneous. The version of F, in terms of harmony, significantly differs from the autographs; however, it can be authentic (e.g. particular variants of bars 32 and 36 present only in AG). In FC, the natural of e1 in the R.H. was overlooked, indispensable in this harmonic version - we add it in the editorial version. category imprint: Differences between sources; Editorial revisions |
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b. 51
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composition: WN 55, Waltz in F minor
..
In AR, AG (→CY), PE, FEF and GEF, there is a rest in the top voice in the L.H. In the remaining sources, there is no rest. category imprint: Differences between sources |
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b. 51
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composition: WN 55, Waltz in F minor
..
The version of AG (→CY) was harmonically enriched by Chopin by the addition of a b category imprint: Differences between sources |
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b. 51
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composition: WN 55, Waltz in F minor
..
In FEF and GEF, there is a cautionary flat next to d category imprint: Differences between sources |
note to the dyads present in the remaining sources.