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b. 49

composition: WN 55, Waltz in F minor

 
 
..

It is likely that the minim - without dot - in CX, CC and FC is a copying inaccuracy; however, the minim is not a mistake.

category imprint: Differences between sources

b. 49

composition: WN 55, Waltz in F minor

 
 
..

The crescendo marking is present only in FEF and GEF and is most likely Fontana's revision.

category imprint: Differences between sources

b. 49-52

composition: WN 55, Waltz in F minor

..

In all autographs and CX and CY autograph copies, there is an identical phrase mark. In AO, it is led with two pen strokes, combining just before the 2nd beat in bar 50. In CC, there is no phrase mark here.

category imprint: Differences between sources

b. 50

composition: WN 55, Waltz in F minor

..

In AR, AG (→CY), PE, FEF and GEF, there is a rest in the top voice in the L.H. In the remaining sources, there is no rest.

category imprint: Differences between sources

b. 50

composition: WN 55, Waltz in F minor

 
 
..

The missing dot next to the minim in AG (→CY) is of rather accidental nature. In the remaining autographs and editions, there is a dot.

The minim - without dot - in CC and FC is to be considered, with a high degree of probability, a copying inaccuracy; however, it is not a mistake.

category imprint: Differences between sources