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b. 229
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we omit the category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 229-230
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
When interpreted literally, the A slur is – as many others in the Sonata – probably inaccurate, hence in the main text we provide its interpretation adopted by GE (→IE). The versions of the remaining editions resulted from the engravers' mistakes. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Errors in EE , Inaccurate slurs in A , GE revisions |
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b. 229
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composition: (Op. 4), Sonata in C minor, Mvt IV
category imprint: Differences between sources issues: GE revisions |
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b. 229-232
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 230
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In GE (→FE,EE,IE) the dots over the three L.H. chords were added probably by analogy with bar 231. We do not include them in the main text, leaving the choice of articulation to the performer. However, taking into account the fact that the use of staccato can be considered the most likely option, we consider the version of the editions to be an acceptable variant. category imprint: Differences between sources issues: GE revisions |
to a, unnecessarily repeated in 
3 in 
in 
